Inside Out (2015) 1080p YIFY Movie

Inside Out (2015) 1080P

After young Riley is uprooted from her Midwest life and moved to San Francisco, her emotions - Joy, Fear, Anger, Disgust and Sadness - conflict on how best to navigate a new city, house, and school.

IMDB: 8.5745 Likes

  • Genre: Animation | Adventure
  • Quality: 1080p
  • Size: 1.44G
  • Resolution: 1920*1080 / 23.976fps
  • Language: English
  • Run Time: 94
  • IMDB Rating: 8.5/10 
  • MPR: PG
  • Peers/Seeds: 45 / 457

The Synopsis for Inside Out (2015) 1080p

Growing up can be a bumpy road, and it's no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions - Joy, Fear, Anger, Disgust and Sadness. The emotions live in Headquarters, the control center inside Riley's mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley's main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.


The Director and Players for Inside Out (2015) 1080p

[Director]Ronnie Del Carmen
[Director]Pete Docter
[Role:Fear]Bill Hader
[Role:Disgust]Mindy Kaling
[Role:Anger]Lewis Black
[Role:Joy]Amy Poehler


The Reviews for Inside Out (2015) 1080p


Tears of JoyReviewed byOliverGingerVote: 10/10

Before I start, I will say this; I'm writing this after coming back from a second viewing of Inside Out. Both viewings were out of choice. That's not a unique thing, but I very rarely watch films more than once at the cinema, mainly because life is short, or rather, life is too quick for me. But there's two main reasons why people watch some films more than once at the cinema, especially where I come from; either the film was interesting, detailed, or multi-layered and needs to be seen again to sink in properly, or, it was really, really good. In this case, for me, it's the latter. That's not to say that the film isn't interesting, detailed or multi-layered, but the reason that was repeating in my head to see it again was 'it's really, really good.' But is it? Yes, yes of course it is... Speaking with a bunch of friends with whom I saw it the first time, a risky phrase was unanimously agreed upon, which was that we 'trust the Pixar team to do the right thing.' Needless (totally needless) to say that expectations were high, and frankly, they were surpassed. Even though the film is what we come to expect from Pixar (the universal moral themes, the perfect balance between comedy and sadness, and visually stunning animation and action sequences), I didn't feel that I had seen it all before, and neither was it repetitive nor 'ordinary'. The film hits all the high notes, with perfect intonation, and with discipline and passion. As touched on before, the balance between humour and sadness is strong and impressive; the amount of emotions that the film displays and takes us through is varied and immersive, yet not overwhelming. The film executes such clever ideas with simplicity and ease, leaving us to feel for the characters rather than worry about the 'science' of it all, or even being worried about 'not getting it'. The animation is constantly eye-drawing and detailed; the characters' glistening skin is particularly wondrous. And what great characters they are. Riley is brilliantly sympathetic throughout, even with her difficult mood swings, and the supporting characters are perfectly entertaining. One might think that the superficial nature of the characters (Anger is angry, Fear is always scared etc.) would become old quickly, however the fun never diminishes, thanks to a witty script, expressive animation, and very strong voice performances from the entire cast. However, to top all this off, the real gem comes from the character of Joy, surely a strong contender in the list of Pixar's greatest characters. Even though we are inside the head of Riley for the majority of the film, and the events that drive the movie are essentially her reactions to her new world (moving from Minnesota to San Francisco), the story is Joy's. Being probably the most flawed character in the film (paradoxically, maybe), it's her journey we care about the most, and she ends up being the most in-depth character in the film, occasionally questioning her actions in the first half (well, the cynics will be), and becoming the most sympathetic by the end. Amy Poehler's outstanding performance makes Joy simultaneously the strongest and weakest character in the film (emotionally, that is). After all of this, the freshness of the ideas, the simplified neuroscience, the technical brilliance (saying that, Giacchino's score is probably the most subtle thing in the film, exquisitely putting the finishing touches on the most emotional scenes), fleshed out characters and universal themes, all of this comes together simply to entertain us, to let us escape, and to release us emotionally, which it does by making us laugh and cry in an even and fair manner. And you will laugh. And you will cry. And it is fun to do so. Thank god we're living in a time when Pixar is making these films.

Meet the Little Voices Telling You to Leave the TheaterReviewed byval velocityVote: 1/10

I am genuinely confused as to why people are calling this "Pixar's Best" or an original concept. Pixar has done far better than this and even the mediocre 'Brave' and 'Cars' are far better. Not only is the concept of 'people controlling your brain' tired and used multiple times, they managed to make it even more boring. There is absolutely no nuance in this film. The characters, (joy, anger, fear, disgust, sadness), are a visual representation of their emotion. I mean seriously, do they understand subtlety at all? Anger literally catches on fire, sadness is blue, and joy looks like every boring same-faced cartoon princess. Not to mention none of the emotions look like Riley, the little girl. This is even more of a flaw when we later see the emotions in other characters heads, (Riley's parents, her teacher, etc.) who look just like the person whose brain they inhabit. Why would Riley be the only one whose emotions all look nothing like her? They took an old concept, made it incredibly literal, and then botched it up with inconsistencies. Aside from the boring concept, this movie is way too complex and depressing for children. The plot is nearly nonexistent and the most constant thing throughout is joy and sadness attempting to get back to the control center of Riley's brain after being sucked out by accident. Other than that its all very dull and if it doesn't make you cry, you'll probably fall asleep. There are, from what I remember, no laugh out loud jokes. Way too much time went into world-building and showing off the various landscapes and rooms of Riley's mind for there to be any actual storyline. Everything felt extremely dragged out and joy and sadness ran into obstacle after obstacle trying to get back to the control center. Finally, Riley tries to run away and it just so happens that joy returns and fixes everything before she has the chance to get too far. Not only was it absurd for an 11 year old girl to try and take a bus back home, it was far too sad the way the whole thing was shown. There were so many random characters introduced for 5 seconds which served no purpose other than to lighten the mood, and they failed at that too. Bing Bong the imaginary friend who was a furry pink elephant was out of place and his design was really uncreative. When he died, I honestly felt relieved not to hear his irritating voice any more. He had no personality or character development and therefore there wasn't any reason to feel sad when he died. Unles of course you're a little kid in which case the whole thing was way too heavy. Either way its a definite miss. And for those saying only psychology majors can enjoy this movie, that's not true. I can't imagine anyone honestly liking this movie. Aside from the complete inaccuracy of anyone feeling only one emotion at a time, everything about this movie was casually ableist. The portrayal of depression as being something small and easily gotten over was incorrect and terrible. Even the advertisements ("Meet the Little Voices Inside Your Head") felt like an insensitive joke towards people with schizophrenia or other disorders who have auditory hallucinations. Overall, I would not recommend this movie to anyone. Too depressing and confusing for kids, too boring and literal for adults, this movie is enjoyable by no one. Pixar did not please its intended audience, nor did it please the grown ups. The one redeeming factor was the animation, which was good but all the designs were so uncreative that good animation couldn't save it.

An artistic triumphReviewed bymohan59Vote: 9/10

For some reason, I couldn't quite catch this movie in theaters and I managed to watch it on an international flight. And boy, am I glad I did! As far as concepts go, I was astonished at the amount of detail and coherence in execution. The visuals are absolutely stunning, the colors rich and vibrant, the characters utterly memorable and some of the most poignantly heart-breaking lines of dialogue ever spoken/sung in any movie, let alone feature animation. It is every bit a Disney-Pixar classic and as emphatic a return to form as it can get. The story revolves around a young girl child who is happy in her world and has to suddenly acclimatize to another environment when her family has to move. Growing pains and social issues affect her while she grapples with increasingly complex situations, both at home and school. Meanwhile, the interplay between the five primary emotions inside her mind is both dynamic and fraught with compromises, much like how we deal with others everyday. As things come to a head and young Riley is about to make a life-changing decision, the events that follow leave a lasting impression, with an increased appreciation of the phrase "emotions are what makes us human"! I recognized some dichotomies - for instance, Minnesota, usually perceived cold, is regarded as warm and comforting by Riley while San Francisco, renowned for its sunny weather, is seen as foreign and unwelcome. The other contrast I noticed was all five emotional figures (Joy, Sadness, Anger, Fear, and Disgust) do not always stay true to form, with Joy especially exhibiting nuances far beyond what her name implies - case in point, her touching admission preceding the last act (that entire sequence was too much for my eyes to take, by the way). All this might be considered a tad too much for young children to appreciate, but with time, they may probably realize how beautifully honest this movie was in trying to portray their growth and the underlying issues. Certainly, it is not without flaws: the plot meandered a bit 2/3rds into the length; Joy's "A-ha" moment seems strangely contrived, despite the impact it had; the music was adequate but not truly captivating as in the case of other Pixar offerings. But the beauty of this medium is that it offers filmmakers opportunities to steer audiences to more engaging experiences; Pete Docter and Co accomplish this with aplomb. In terms of cast and crew, the voice actors are superb selections - Lewis Black aces the Angry persona with generous dollops of sarcasm; Mindy Kaling is just perfect voicing Disgust; Richard Kind's performance as the imaginary Bing Bong is an absolute tear-jerker, while Kaitlyn Dias shows remarkable poise playing Riley. But it is Amy Poehler who steals the show in a coruscating blend of vivacity, vibrancy, and vicariousness. Her Joy is not an infallible leader, but one who accepts others in the face of challenging situations and plows ahead with inspiring positive energy. The animation left me spell-bound, especially the sequence where thoughts are shown to be abstracted, and are endowed with a lot of heart. The movie is fairly short, but a running time of 94 minutes is appropriate justice to a slightly heavy subject matter. The humor compensates with trademark Pixar staple of jokes, albeit intended for slightly more mature viewers. Pete Docter gave us the outstanding Up six years ago and ably accompanied by Ronnie del Carmen, has categorically demonstrated that he is a fabulous storyteller and a master entertainer. Inside Out is every bit a Pixar fan's well-deserved reward for patience. Do yourself a favor and watch this magnificent gem.

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